《4,000,000,000》将我们瞬间带入了一个月球的区域。在由黑墙半包围的空间中，任瀚用斧头和电动工具雕刻墙面，露出一幅描绘月球和太空的全景图。源于互联网上的现成图像和关于月球的旧版画，经他的加工成为虚拟、幻想和现实相融合的结果。艺术家将死亡视为世界的要素并在作品中予以强调，创作前他因看到中国“嫦娥四号”探月计划获得进展的新闻而有所启发。白旗表现着人类欲望的轮回：所有的旗帜到达月球后都终将褪变为白色。任瀚质疑着人类不断建构和破坏的意义。

Ayşe Duygu Yaman

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‘4,000,000,000’ appears at first sight to be a lunar zone. In a half-space surrounded by black walls, Ren Han uses axes and power tools to carve the walls and uncover a panoramic drawing of the moon and space. Based on the internet images and old engravings, the reproduced drawings are the result of an intermingling of the virtual, fantasy, and reality. The artist makes death a point by taking it as an element of nature. The artist was inspired in particular by a news ‘Chung’e – 4’ which is a Chinese program of lunar exploration that has progressed. The white flags repeat human desires to us: in the end, all the flags will turn white after they reached the moon. Han questions the meaning of the construction and destruction of human beings.

Ayşe Duygu Yaman

4,000,000,000
白旗、黑色石膏板墙、现场砍、凿
white flag, plasterboard wall, chopping and digging at exhibition hall
2019
Le Beffroi, Montrouge

项目支持：法国文化部、上塞纳省省政府、蒙鲁日市、RAIBAUDI WANG Gallery

With the support of: Ministry of Cultural Affairs, Department of Hauts-de-Seine, City of Montrouge, RAIBAUDI WANG Gallery